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Top 10 Week: Posters of 2010


#10: The Social Network

I love how the picture of Jesse Eisenberg kind of looks like a mugshot. I also like that the poster is simple and yet very evocative of the tone of the film.


#9: The Trotsky

Power to the people! I think this poster both captures the fighting spirit of the film and highlights many of the film's best moments.


#8: Never Let Me Go

I think this poster is great both because it's a beautiful image and because of what the image suggests. The two are running away but they're running down a pier, which has a very defined and certain end. In the film the two fight for more time but, ultimately, come to realize that the end is inevitable. Beautiful and so sad.


#7: The Expendables

I haven't seen The Expendables but I suspect that this is a matter of truth in advertising. I mean, you pretty much know what you're going to get from a movie with a poster like this, right?


#6: Inception

One of my favourite parts of Inception is when Ariadne starts playing around with the dreamscape, folding the city over on itself, so I think that's why I like this poster so much because it plays on the same warping of perspective.


#5: Date Night

I don't know what it is about this poster, exactly, but it makes me laugh every time I see it. I think it's the "What? Oh, just an ordinary night" attitude Steve Carrell and Tina Fey exude.


#4: Let Me In

The intersection of wholesome and creepy.


#3: 127 Hours

It's not often in life when you can pinpoint exactly where things went wrong. Just looking at this shot makes me want to yell, "Dude, don't."


#2: The American

A very old school poster for a very old school-style film. Love it.


#1: Black Swan

Black Swan actually has a ton of really cool posters but these two are my favourites. So creepy, so beautiful, so perfect.

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